what I shot this week

(Tia Adela, Tia Martha, Cleonice)

(Hermana Karina, Aida, and Charmayne)

(Profe Charmayne and the kids from the Biblioteca)

(Chuck and Kevin, Micah)

(Micah)

(Micah, Alex, Chuck)

(I was taking pictures of Cleo, so she wanted to take one of me)

(Cleonice)

(Tia Martha is not actually looking for Cleo's lice)

(Tia Martha, Cleo, Tia Adela)

(Tia Martha, Cleo)

(cebolla)

(Tia Adela)

(this is how you make pasta: you fry it first)

(Mr. Kevin likes his feet)

(The lightswitches are sometimes poetic)

(Refrijerio; eggs, because we have so many)

(Cindy and Kevin; breakfast)

(Kevin andhis toes)

(behind the taller)

(birthday lunch)

(behind the taller)

(behind the Casa Esperanza)

(gallina)

(its not the swine flu; its where they slaughter pigs)

(behind Hope House)

(this is where the hens live)

(near where the pigs live ... )

(A view of the children's home from the daycare)

all that I can put up at one time ....

(laundry at night before the rains)

(the washing room and the deposito)

(the electric box)

(la vaca)

(el pan de cada dia)

(Tia Adela in the panederia)

(Don Mario; my gardener friend from House 1)

("el pan y la panza": the bread and the belly)

(Kevin's little toes)

(Tia Adela, the cook at the children's home)

(Dovanna, Tatiana, and Micah)

(La Casa Esperanza; Hope House)

(there are sinks everywhere)

(pateando; kicking)

(Marcos and Becki)

(Chicharron de chancho; pig fat)

(Heidi in the Sala Cuna)

(Cindy and Kevin; the bottomless pit)

(Behind Hope House)

(Dovanna)